Ethnomusicologist David Garcia speaks with Rebecca about the significance and musical legacy of Arsenio Rodriguez, the prolific Cuban composer, tres player and bandleader. He spent the later decades of his career in New York, and his music was foundational for the emergence of salsa in the 1960s.
Songs played:
No hay yaya sin guayacán
Mi china me botó
La vida es un sueño
Dame un cachito pa' huele
Pa' huele, Eddie Palmieri
Quítate tu, Fania All-Stars
If you like this podcast, please subscribe and give us a 5-star rating on Apple Podcasts
Follow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicles
https://theclavechronicles.buzzsprout.com
Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions
Ethnomusicologist David Garcia speaks with Rebecca about the significance and musical legacy of Arsenio Rodriguez, the prolific Cuban composer, tres player and bandleader. He spent the later decades of his career in New York, and his music was foundational for the emergence of salsa in the 1960s.
Songs played:
No hay yaya sin guayacán
Mi china me botó
La vida es un sueño
Dame un cachito pa' huele
Pa' huele, Eddie Palmieri
Quítate tu, Fania All-Stars
If you like this podcast, please subscribe and give us a 5-star rating on Apple Podcasts
Follow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicles
https://theclavechronicles.buzzsprout.com
Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions