In the past two decades, reggaeton has become the soundtrack of Cuba, eventually resulting in the birth of a more localized genre called reparto. Ethnomusicologist Mike Levine speaks with Rebecca about how reggaeton took hold first in the eastern part of the island, where Jamaican and Caribbean influences are much stronger, and how artists in Havana have transformed it into a uniquely Cuban genre that represents their contemporary lives.
Songs played:
Señor Oficial, Candyman
Soy Cubanito, Cubanito 2002
Bailando, Enrique Iglesias featuring Descemer Bueno & Gente de Zona
El Ditu, Elvis Manuel
Bajanda, Chocolate MC
If you like this podcast, please subscribe and give us a 5-star rating on Apple Podcasts
Follow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicles
https://theclavechronicles.buzzsprout.com
Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions
In the past two decades, reggaeton has become the soundtrack of Cuba, eventually resulting in the birth of a more localized genre called reparto. Ethnomusicologist Mike Levine speaks with Rebecca about how reggaeton took hold first in the eastern part of the island, where Jamaican and Caribbean influences are much stronger, and how artists in Havana have transformed it into a uniquely Cuban genre that represents their contemporary lives.
Songs played:
Señor Oficial, Candyman
Soy Cubanito, Cubanito 2002
Bailando, Enrique Iglesias featuring Descemer Bueno & Gente de Zona
El Ditu, Elvis Manuel
Bajanda, Chocolate MC
If you like this podcast, please subscribe and give us a 5-star rating on Apple Podcasts
Follow The Clave Chronicles on Twitter, Instagram, and Facebook @clavechronicles
https://theclavechronicles.buzzsprout.com
Intro and outro music: "Bengo Latino," Jimmy Fontanez/Media Right Productions